Links will be added incrementally as I populate this new website design.

Book chapters

GILES, V., E. WELSH, G. JENNINGS. 2018. Australian Composition for Baroque Instruments: exploring the importance of composer/performer collaborative relationships in 21st Century composition. In: DOROTTYA FABIAN, J. N. (eds.) Diversity in Australia’s Music. Cambridge Scholars.

Journal articles

GILES, V. 2017. Microsound, Spectra, and Objectivity: tracing memetics in organised sound (abstract). Leonardo Abstracts Service. Online: Leonardo/ISAST.

ALSOP, R. & GILES, V. 2015. Interpreting Data: Re-contextualizing Data to Develop Approaches to Musical Composition. Emille, vol 13.

BENNETT, A. & GILES, V. 2015. Locating and Utilising Inherent Qualities in an Expanded Sound Palette for Solo Flute. Emille, vol 13.

Conference presentations

ALSOP, R. & GILES, V. 2015. Interpreting Data: Re-contextualizing Data to Develop Approaches to Musical Composition. Korean Electroacoustic Music Society Annual Conference 2015. Seoul, South Korea: KEAMS.

BENNETT, A. & GILES, V. 2015. Locating and Utilising Inherent Qualities in an Expanded Sound Palette for Solo Flute. Korean Electroacoustic Music Society Annual Conference 2015. Seoul, South Korea: KEAMS.

GILES, V. 2015. Scoring for Grid Controllers - Preliminary Considerations of Action, Gesture, Functionality, and Limitations. Australasian Computer Music Conference. Sydney, Australia: Australasian Computer Music Association.

Talks and other presentations

GILES, V. 2016. Microsound, Spectra, and Objectivity: tracing memetics in organised sound. PhD Completion Seminar. Victorian College of the Arts, University of Melbourne.

GILES, V. 2015. From data to notation: processes of computer-aided composition in my current work. MediaLab Melbourne: OpenLab. Melbourne, Victoria.

GILES, V. 2014. Non-linear listening and the musical experience: a composer’s perspective. Musicological Society of Australia, Victorian Chapter Annual Conference. Melbourne, Australia.

GILES, V. 2014. Microsound, Spectra and Objectivity. Victorian College of the Arts & Melbourne Conservatorium of Music Graduate Research Symposium.

GILES, V. 2013. Microsounds, Spectra and Objectivity: A research overview and sound design demonstration. Victorian College of the Arts & Melbourne Conservatorium of Music Graduate Research Symposium.

Artistic publications

GILES, V. 2016. It needs a big ‘ow’ sound; ow-nd… ground!. Wollongong, NSW: Wirripang.

GILES, V. 2016. silver as catalyst in organic reactions. Wollongong, NSW: Wirripang.

GILES, V. 2015. A Semblance of a Whole (A). Wollongong, NSW: Wirripang.

GILES, V. 2014. The confession of Dr Faust. Wollongong, NSW: Wirripang.

GILES, V. 2013. …In dialogue… Wollongong, NSW: Wirripang.

GILES, V. 2013. Mozart Variations. Wollongong, NSW: Wirripang.

GILES, V. 2012. Journeys: for flute and guitar. Wollongong, NSW: Wirripang.

GILES, V. 2012. A glimmer of foresight: for small ensemble. Wollongong, NSW: Wirripang.

GILES, V. 2011. Duet for flute and computer. Wollongong, NSW: Wirripang.

GILES, V. 2011. Fantasie Australis. Wollongong, NSW: Wirripang.

GILES, V. 2010. Étude microscopique. Wollongong, NSW: Wirripang.

GILES, V. 2010. Staatiline Maastik. Wollongong, NSW: Wirripang.

GILES, V. 2009. Differing dialogues: for solo bass flute with prerecorded low flutes. Wollongong, NSW: Wirripang.

Exhibitions and catalogues

GILES, V. 2017. Correct Gopher Hoop Stop. Fixed media playback: Tilde New Music Festival, 2017. Melbourne, VIC.

BEALE, R. & HALEY, S. 2016. Synthesis, exhibition catalogue, 18 May-3 June, 2016, George Paton Gallery, Melbourne, VIC.

GILES, V. 2015, Bits & Pieces, sound/music, Exhibited at: Synthesis, George Paton Gallery, 18 May-3June, 2016.

GILES, V. 2015, Put Together to Present, sound/music, Exhibited at: Synthesis, George Paton Gallery, 18 May-3June, 2016.

GILES, V. 2015, A Semblance of a Whole (A), music score, Exhibited at: Synthesis, George Paton Gallery, 18 May-3June, 2016.

GILES, V. 2015, A Semblance of a Whole (B), sound/music, Exhibited at: Synthesis, George Paton Gallery, 18 May-3June, 2016.

GILES, V. 2015, Silver With Carbon Bond, music score, Exhibited at: Synthesis, George Paton Gallery, 18 May-3 June, 2016.

GILES, V. 2015, Post Hoc Ergo Propter Hoc, sound work, Exhibited at: Love/City III, Testing Grounds, VIC, 26 Feb, 2016.

GILES, V. 2015, Bits & Pieces, sound/music, Exhibited at: Uncommon Places, Melbourne Fringe Festival, Auction Rooms Cafe, 11 Aug–3 Oct 2015.

GILES, V. 2015, Put Together to Present, sound/music, Exhibited at: Uncommon Places, Melbourne Fringe Festival, Auction Rooms Cafe, 11 Aug–3 Oct 2015.

GILES, V. 2014, The Great Unhearing, sound installation, Exhibited at: Troika, George Paton Gallery + System Garden, University of Melbourne, 9-19 Sep 2014.

GILES, V. 2014, Let me count the ways, sound installation, Exhibited at: Julia St Creative Space, Portland, VIC, 1-17 August, 2014.

GILES, V. 2013, Heard/Unheard:Flux, sound installation, Exhibited at: Upwelling Festival 2013, Portland, VIC, 2 Nov 2013.