Works List


This page contains a list of works arranged by instrumentation. If the score is not linked herein, please contact me to obtain by clicking the envelope at top right. This list is not exhaustive, in that there are many sketches, demos, durational projects without major public outcome, jazz-based works, works pre-2009, and works for popular music contexts, that I have not included here.

Solo

Voice

Mesostics [2019-], solo voice. Dur: variable (currently two works).
Score

How ought one live? [2019], solo voice (or with electronics). Dur: variable.
Score/Interactive

Flute

Differing Dialogues [2009/11], bass flute with CD. For Peter Sheridan. Dur: c. 4’40”.
Score | Recording

Etude Microscopique [2010], solo bass flute. For Alice Bennett. Dur: c. 4’00”.
Score

a process, delicate and violent [2017], solo alto flute. Commissioned and for Eric Lamb. Dur: 9’00”.
Score

Violin

silver as catalyst in organic reactions [2014-16], baroque violin. For Lizzy Welsh. Dur: c. 6’00”.
Score: editing/revising for publication. Please email me.

Feeder [2016-17], any treble instrument. Dur: any. Dedicated to Alice Bennett.
Score (Max Patch) Please email me about performing this as it is not yet premiered.

Woodwind (open)

It needs a big ‘ow’ sound; ‘ow-nd’… ground! [2015-16], any low woodwind. Dur: c. 9’00”.
Score: editing for publication. Please email me.

Feeder [2016-17], any treble instrument. Dur: any. Dedicated to Alice Bennett.
Score (Max Patch) Please email me about performing this as it is not yet premiered.

Duo

Flute and Clarinet

Abandoned Space: A Portrait in Miniature [2013] Dur: 0’30”.
Score | Recording (dissonArt ensemble)

Flute and Piano

Agitation [2014], Dur: 1’00”.
Score

Flute and Guitar

Journeys [2010] Dur: 2’30”.
Score

Flute and Live Electronics

Duet [2011] Dur: c.4’40”. Score

Dead Dirt [2015] (structured improvisation). Dur: between 5’ and 30’.
Score / contact via email

A Moment on Cowrie Street [2016] (structured improvisation). Dur: c. 20’. Score / please contact via email.

Clarinet and Piano

The garden of rotten integer relationships [2013]. Dur: c. 1’30”.
Score

Saxophones (soprano and alto)

The 65th Day [2016]. Commissioned by Halfsound. Dur: c. 9’40”.
Score: currently being edited for publication, please contact.

Violin and Live Electronics

End to Reattain [2016] (structured improvisation). Dur: 20’.
Score | Recording (Giles/Welsh)

Trio

Piano, flute, clarinet

The Gesture of Relationships and the Relationships of Gesture [2012-14]. For Alice Bennett. Dur: c. 12’.
Score: please email. Includes extractable duets: Agitation, Abandoned Space, The garden of rotten integer relationships

A Semblance of a Whole (a) [2015]. For Ochre Trio. Dur: c. 12’.
Score (note: requires additional electronic component for audio score, please email)

Piano, accordion, violin

The Confession of Dr Faust [2012]. Dur: c. 7’.
Score

Quartet

Flute quartet

Staatiline Maastik [2011]. Dur: c. 5’
Score

Flute, clarinet, violin, cello

Four Suits of Thirteen [2011]. Dur: c. 9’.
Score

Guitar (or baroque guitar), flute (or traverso), violin (or baroque violin), cello (or 7-string bass viola da gamba)

… of sediment…[2017]. Dur: 11’15”.
Score

Flute Ensemble

Fragments [2010]. Dur: c. 6’30”.
Score | Recording

Fantasie Australis [2011]. Dur: c. 4’00”.
Score | Recording

> 4 players

Flute, clarinet, french horn, violin, cello, piano, percussion

A Glimmer of Foresight [2012]. Dur: c. 7’30”.
Score

Flute quartet + percussion

… In Dialogue… [2013]. Dur: 4’40”.
Score (arrangement of Differing Dialogues)

Open Instrumentation

Vignette #1 [2018]. Dur: any. Web-based score

6:12:18 [Dream] [2014]. Dur: any.
Score

Mozart Variations [2013]. Dur: any.
Score

Situation(s) [2014]. Dur: any.
Score

Feeder [2016-17], any treble instrument. Dur: any. Dedicated to Alice Bennett.
Score (Max Patch) Please email me about performing this as it is not yet premiered.

Threads: Algorithmic Compositions for Humans (2014+):

Improvisational contexts for various ensemble/solo configurations. Ongoing work exploring the potentials of algorithmic/mathematical structures and descriptions as a basis for structured improvisation. Provided below is the syntax as a work in progress, and the current state of the pieces. Renamed from “Logarithm” to “Thread” in 2020.

Score

Electroacoustic

vgst1 [2019], fixed media. Dur: 7’13”.
Recording

dictaphone music [2019], fixed media/electronic release. Dur: 28’29”.
Recording

dictaphone music II [2019], fixed media/electronic release. Dur: 32’57”.
Recording

perspectives [2019], fixed media/electronic release. Dur: 58’16”.
Recording

Organelle 1 [2019], electronic release. Dur: 15’08”.
Recording

Self Portrait 2018.1 [2018], fixed or interactive media: webcam, samples, MaxMSP. Dur: 17’05”.
video

Correct Gopher Hoop Stop [2017], four to eight channel fixed media. Dur: 22’.
For Tilde New Music Festival, 2017.

Injection [2015], live electronics. Dur: 30’. Commissioned by Banyule City Council for the opening of Works on Paper, 2015, Hatch Contemporary Art Space.

Pause/Decay/Talk [2015], live electronics. Dur: 30’.
Commissioned by Banyule City Council for the opening of Works on Paper, 2015, Hatch Contemporary Art Space.

Blank:22k [2015], no-input-mixer and live-patching. Collaboration with David Jacob. Dur: 36’56”.
Recording

A Semblance of a Whole (B) [2015], fixed media. Dur: 12’. Electroacoustic-only version of the same titled instrumental composition.

Installation

16 Perspectives [2018], eight-channel (4x space, 2x stereo headphone). Dur: 78’33”.
Commissioned by Banyule City Council for Hatch Contemporary Art Space.

Post Hoc Ergo Propter Hoc [2016], stereo installation. Dur: 73’.
For Love/City III festival, 2016.

Bits & Pieces [2016], site-specific smartphone installation. Dur: 7’40”.
Commissioned by Melbourne Fringe Festival, for Auction Rooms cafe, 2016.

Put Together to Present [2016], site-specific smartphone installation. Dur: 17’24”.
Commissioned by Melbourne Fringe Festival, for Auction Rooms cafe, 2016.

Let Me Count The Ways [2014], fixed-media for surface-exciting speakers. Dur: 18’.
Commissioned by the University of Melbourne for Julia St Creative Space, Portland, VIC, 2014, while artist-in-residence. Part of the larger project of the same name

The Great Unhearing [2014], fixed-media for surface-exciting speakers. Dur: 26’.
Troika exhibition, curated by Aneta Trajkoski, George Paton Gallery, 2014.
video

Heard/Unheard:Flux [2013], fixed-media four speakers in an outdoor space. Dur: 8:00’00”.
Commissioned by the University of Melbourne in partnership with the Portland Upwelling Festival, 2013. Developed while artist-in-residence at the festival.

Winter [2012], fixed-media (federation bells, Birrarung Marr). Dur: 5’30”.